The Made In Rock series features meticulous models of the actual amps owned by the artists who made rock history. They were created in part using an Overloud innovation called "Fluid Capturing,” which seamlessly merges modeling and capturing techniques, allowing users to experience the variable nuances of each knob and circuit on these iconic amps. Own the tone of rock legends!

THU Made In Rock RodS Mk IIb is an exceptionally accurate emulation of the legendary Mesa Boogie* Mark IIb and its matched cabinet, as played by Jim Cregan on Rod Stewart’s iconic albums and live tours.*

Renowned for its extraordinary versatility, this amplifier delivers tones ranging from creamy, warm cleans to powerful high-gain sounds, covering everything from classic rock to ’80s and ’90s metal.

THU Made In Rock RodS Mk IIb includes:
Two cabinet models: the matched 4x12" cabinet and a 2x12" Fender* cabinet used by Jim Cregan during live performances.
A dedicated preset bank recreating the tones of the most famous Rod Stewart songs, available in both Les Paul and Telecaster versions.
Additional presets covering classic styles associated with this amp, including metal and prog.
Models created using Fluid Capturing, the cutting-edge emulation technology introduced in 2025.
13 additional models, including overdrives, modulation effects, and reverbs.

THU Made In Rock MotH models the legendary JCM800 2203 head (serial no. 326433) and two 4x12" cabinets used by Phil Campbell of Motörhead.* Featuring two input channels with distinct gain and EQ profiles, it delivers authentic 800-style punch and clarity. Both 1935 Bass and Lead cabinets were captured with 18 microphones using high-resolution nonlinear IRs. Overloud’s Fluid Convolution lets you position up to four mics in 3D space, while ReSPiRe adds true cabinet air.

THU Made In Rock – MotH 800 includes:
The Made In Rock MotH 800 amplifier model
Two cabinet models, based on the 4x12" straight and slanted Phil Campell's cabinets
A bank of presets with the sounds of the most famous songs played with that amp
Models created with Fluid Capturing, the new frontier of emulation.
15 more models, including overdrives, modulation, and reverbs.

THU Made In Rock Sioux 50 captures the actual 1976 Marshall* JMP 2104* Master Volume 2x12” combo used by Siouxsie and the Banshees* from 1976–1981. Includes a matched cabinet model with Celestion G12-65 speakers, a preset bank with classic song tones, and 15 additional models, including overdrives, modulations, reverbs, and a Shimmer delay.

THU Made In Rock – SIOUX 50 includes:
The Made In Rock SIOUX 50 amplifier model.
The matched cabinet model, recreating the original 2x12" combo speakers.
A bank of presets with the sounds of the most famous songs played with that amp.
Models created with Fluid Capturing, the new frontier of emulation in 2025.
15 other models including overdrives, modulation, and reverbs and a Shimmer delay.

Made In Rock - RodS Mk IIb is based on an exceptionally accurate emulation of the legendary Mesa Boogie* Mark IIb and its matched cabinet, as played by Jim Cregan on Rod Stewart’s iconic albums and live tours.

THU Made In Rock B-SAB is based on the unique and finest emulation of the Laney Supergroup* head with serial no. VS4901, and its matched cabinet, played by Tony Iommi* and belonged to the Black Sabbath*.

The TH-U B-SAB 100 head has two input channels. The Treble channel is brighter and crunchier, with a lot of presence. The Bass channel has a massive amount of bass distortion and a more fuzzy tone. The matched cabinet is a 1970 4x12" Supergroup with Celestion* G12H speakers, which enhance the biting tone of the head.

Made In Rock Jim P is based on the unique and finest emulation of the JMP50* head, and its matched cabinet, which belonged to the Led Zeppelin*.

The TH-U Jim P head has two channels. CH 1 is brighter and crunchier, with a lot of presence. CH 2 is much richer in the low frequencies and a bit more fuzzy. Inputs 1 and 2 can be connected with a jumper to have both channels mixed together.
The matched cabinet is the red 4x12" with Celestion* T1511 speakers, which enhance the crunchy tone of the head.

Made In Rock NG30 is based on the unique and finest emulation of the AC30* played by the Oasis* at the Locomotive Studios*.

The TH-U NG30 head emulates all three Channels of the original '63 AC30: the Normal channel has a standard voicing, with a tight tone ranging from super clean to mid-crunchy tones. The brilliant channel reduces the energy on the low end, adding a lot of presence and helping to balance the crunch tone. The Vibrato/Tremolo channel enables the modulation circuit. The selector allows you to choose between the Vibrato modulation, which slightly changes the pitch, and the Tremolo modulation, which recreates the classic Vox "pulsating" tone.

The built-in cabinet is based on the Vox Blue Bulldog 30W Alnico speakers. They deliver a very brilliant tone, which is slightly attenuated by the piece of cloth added to this particular amp, making it really unique.

Made In Rock - JUP320 is the finest emulation of the Acoustic 320* bass head with serial no. 32002163, and its matched cabinet, which belonged to the Judas Priest*.

The TH-U JUP 320 head has two input Channels, A & B, which can be selected or blended with different EQ settings. The power boost switch increases the output power on the bass frequencies in order to increase the depth of the tone. A graphic EQ allows you to shape the tone with precision: the bands are centered on the frequencies that were typically used in the '80s to sculpt the bass tones during that era.

The 371 cabinet is based on a huge 1x18" speaker with a very vintage flavor.

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What is Overloud Fluid Capturing?

Also called "schematic-assisted capturing", Overloud’s Fluid Capturing is an innovative amp simulation process that combines the advantages of both the modelling and capturing techniques. An amp capture is a super-realistic but static “picture” of the amp sampled with a particular knob setting and operating level. A single capture cannot replicate the amp tone at all the knob settings. Instead, a modeled amp reacts like the original, at all dynamic ranges and knob positions. However, tone may not 100% match a particular sample, due to component tolerances, tube conditions, servicing history, and customizations. With Fluid Capturing, we both model the amp and sample it with a lot of different settings. Putting together these data allows us to create a digital model that is flexible like a modeled amp and realistic like a captured amp.

Made In Rock

These products were made possible by the Made In Rock Cultural Association in Italy, which curates an extensive collection of musical instruments, amplifiers, effects, clothing, memorabilia, and stage items once owned and used by legendary rock artists. The association aims to preserve these historical artifacts and impart their knowledge to younger generations. By leveraging Overloud's Fluid Capturing, recognized as the most advanced capturing technology, Made In Rock achieves precise sound preservation by capturing and replicating every tonal and emotional detail of the amplifiers in their collection.

All Made In Rock can run as a THU expansion or a standalone plugin.

* Any use of third-party trademarks, logos, mentioned brand names, artist names, products, and services is only referential, and Overloud hereby disclaims any sponsorship, affiliation, or Endorsement of or by any such third party.